contact bachscholar

Fill out the form on the right to send a message to Cory Hall.

cory@bachscholar.com

           

123 Street Avenue, City Town, 99999

(123) 555-6789

email@address.com

 

You can set your address, phone number, email and site description in the settings tab.
Link to read me page with more information.

maxresdefault-1.jpg

Blog

Praesent commodo cursus magna, vel scelerisque nisl consectetur et. Curabitur blandit tempus porttitor. Fusce dapibus, tellus ac cursus commodo, tortor mauris condimentum nibh, ut fermentum massa justo sit amet risus. Cras mattis consectetur purus sit amet fermentum. Cras mattis consectetur purus sit amet fermentum.

Filtering by Tag: piano music

Diabelli's Sonatina in F Major, Op. 168 No. 1

Cory Hall

This delightful gem has recently become my favorite teaching piece for a variety of reasons. I currently have several of my students working on this sonatina, students of different levels and abilities. This is "feel good" music that is fun to play and listen to, and in addition, is valuable for all piano students from the intermediate level up. Even students at the "advanced" or collegiate level can benefit from studying it. For more on the life and career of the lesser known Anton Diabelli, please CLICK HERE.

⇒ CLICK HERE for Piano Lessons via Skype -- I teach worldwide!! ⇐

The thing I like most about this work is that its brevity does not sacrifice musical quality. Every note and articulation is perfectly placed while each movement flows into the next with ease and grace. This sonatina teaches students many valuable skills, such as: staccato, legato, cantabile, staccato in one hand and legato in the other hand simultaneously, grace notes, short slurs, contrasting dynamics (pp to ff), ability to play in three different meters (4/4, 3/4, 6/8), ability to play in three contrasting tempos (Moderato, Andante, Allegretto), hand crossings.

In my opinion, this sonatina is an even finer work and has more to offer students than perhaps the most famous of all sonatinas, Muzio Clementi's famous Sonatina No. 1 (Op. 36 No. 1). Moreover, this sonatina serves as an ideal "litmus test" for the intermediate level pianist's overall technical and musical aptitude. If one has trouble with the technique and musicality in this sonatina, then one is not ready to study any of the Beethoven sonatas. However, if one plays this sonatina well and up to tempo and with good technique and musicianship, then one is ready to begin studying some of the less difficult Beethoven sonatas.

I urge all piano students to play and enjoy this sonatina, which is probably Diabelli's most well-known solo piano work. Please enjoy the video and thank you for reading this blog!

[youtube http://www.youtube.com/watch?v=_sLbHit2ows&w=560&h=315]

"Christ Child Divine: Christmas Pastorale" for piano

Cory Hall

Many people with classical music educations are aware that the musical form known as the "pastorale" is traditionally associated with Christmas. With Christmas of 2013 fast approaching and only a week away upon composing this work, I felt a strong urge to compose a pastorale for piano that would be accessible to a wide range of pianists. It is not too difficult technically and is extremely gratifying to play and study. PIANISTS GET YOUR COPY OF THE SHEET MUSIC BY CLICKING ON THE LINK BELOW! SHEET MUSIC FOR "CHRIST CHILD DIVINE"!

Pastorales developed sometime in the Middle Ages and were usually played with bagpipes, hurdy gurdies, or other instruments that produce "drone basses." In addition to employing drone basses, pastorals are also always in some form of compound triple meter, the most common being 6/8 and 12/8. I have chosen a slower and more old-fashioned looking 6/4 time -- essentially the same as a 6/8 meter -- to symbolize its uniquely "medieval" character. As one can glean from the word "pastorale," pastorals were always associated with nature, the out of doors, and especially shepherds tending their flocks. It is this reason why pastorals are traditionally associated with Christmas -- that is, our Lord and Savior, Jesus Christ, is the shepherd and his chosen ones (i.e., the saved) are the sheep. Christmas pastorals are peaceful and meditative-style works that should evoke the feeling of shepherds in their fields as well as the wise men visiting the baby Jesus.

I love playing and listening to this pastorale and the story about its composition is really something of a miracle, which proves to me yet one more time of the saving grace of our Lord and the power of his Holy Spirit in my life. I am a "sporadic" type composer in that I will often go long periods without composing anything and then one day I might get a strong urge to improvise and compose a piano piece. Such is the case with Christ Child Divine, which I composed completely from scratch with absolutely no preparation in merely 30 minutes. On December 17, 2013 I was overwhelmed with an unstoppable urge to compose a pastorale after having composed nothing for at least nine months. Everything just flowed out of me from the very beginning. I simply improvised a bit at my Steinway and the two main themes flowed out of me like water. Then, I toyed around with the last section (the coda section) that evening and wrote everything out the next day, the 18th. I wrote this blog and recorded it on the morning of the 19th.

I am constantly amazed at our wonderful God, his Son who died for our sins, and his Holy Spirit which is sent to all those who have been saved. I would have never become a composer had I not been saved in 2011 at the relatively late age of 48, and I constantly thank God for all he has given me. My wish this Christmas is that if you have not been saved that you will be soon. The only path to God and to eternal life is through none other than belief that Jesus Christ was the son of God and that he was born, crucified, buried, and was resurrected through the supernatural power of God the Father. May this pastorale for piano remind you that Christ came to take away the sins of the world and whoever believes in him shall never perish but be granted with everlasting life!

Merry Christmas to all and happy listening to Christ Child Divine!

[youtube=http://www.youtube.com/watch?v=vN4WiVIjDmQ&w=560&h=315]

My Piano Arrangement of PACHELBEL'S CANON

Cory Hall

I often get asked how I compose at the piano and my answer is quite simply that I do not have a "system." Many composers and arrangers set aside a given time slot each day to compose, but I have never been this disciplined. Rather, I compose only whenever I feel "inspired," or in other words, as if the musical ideas in my head absolutely need to be let out. Such is the case with my new arrangement of Johann Pachelbel's famous Canon in D. BUY THE SHEET MUSIC FOR PACHELBEL'S CANON HERE! PIANO LESSONS WORLDWIDE VIA SKYPE!

I had played this work hundreds of times for weddings as a church organist, although I never stuck to any one arrangement. I simply played the famous work by ear having never owned any sheet music for it. Usually, it was used as background music as the bridesmaids slowly made their procession up the aisle. I remember once a wedding party was having "problems" and I must have repeated it ten times until everyone had entered. Pachelbel's Canon is based on a "ground bass" or chord progression consisting of eight chords: D - A - b - f# - G - D - G - A. This chord progression is played for every repetition, which gives the performer the opportunity to add new material every eight bars in the melody or right hand. it is an ideal chord progression for pianists wishing to hone their skills in tonal improvisation. For more historical or theoretical information about Canon in D, please CLICK HERE.

One major aspect that differentiates my arrangement of Canon on D from the usual ones is that I often substitute E minor for G major for the penultimate (next to last) chord. This progression of e - A creates a different character and flavor than the more traditional or baroque G - A, and in my opinion, it often sounds better. I would describe it as sounding slightly more "modern" or "contemporary" than if it were in an authentic baroque style. I sat down at the piano on December 5, 2013 and for no apparent reason and with no planning some incredible spirit within me caused me to compose this arrangement in about two hours. I subsequently mapped out the overall plan in my head and then wrote it out on paper the next day.

I hope you enjoy my arrangement of this famous classic and if you teach piano I highly recommend it for all students around level 6 or beyond. It is also ideal for weddings or for concert venues. My arrangement of Pachelbel's Canon is extremely gratifying to play and is very "piano friendly." I hope you enjoy my performance and appreciate your support of my business by purchasing the sheet music!

[youtube=http://www.youtube.com/watch?v=suy3OEj5UrU&w=560&h=315]